Nabokov’s novels should come with a disclaimer that says: Addictive! Written in a striking style, they must be read and reread over and over again, evoking new meanings and interpretations. The inimitable Nabokovian language has a sparkling champagne enhanced by the wisdom of cinnamon.
Vladimir Nabokov (1899-1977) said that he dreamed of turning his readers into spectators. His dream had come true during his lifetime. The writer has plunged his readers into the semantic abyss of his texts. Reading Nabokov may seem like a language challenge at first. But then, after a few pages, you get used to it, the contradictions vanishing like fluttering butterflies. “Literature and butterflies are the two sweetest passions known to man. Nabokov, who owned a collection of more than 4,300 specimens of exotic and rare butterflies, said. “I discovered in nature the non-utilitarian delights that I sought in art. Both were a form of magic, both were a game of intricate enchantment and deception.
17. “Marie” (1926)
‘Mary’ is about first romance, bittersweet longing and regret.
Nabokov’s first novel, originally titled “Happiness”, contains many autobiographical details. The novel takes place in a Russian guesthouse in Berlin. The protagonist, Ã©migrÃ© Lev Ganin, is caught off guard when he discovers that his neighbor’s wife is his former first love, Mary. Ganin hatches a devious plan to meet her at a train station, after many years. Mary is the breath of the past, a dreamlike symbol of a bygone era and happiness, in other words, “all his youth, his Russia “. At the last moment, Ganin decides time travel is impossible and abandons Berlin and Mary forever. âThe thick happiness of first love is unique,â ââNabokov later noted in his âlaughter in the darkâ.
Nabokov began writing “Mary” in 1924. By the end of the year two chapters had been written, but the writer destroyed the manuscript, keeping only one fragment which was published in January 1925 under the title “A letter to Russia”. Nabokov returned to the idea of ââwriting the novel in the spring of 1925, after marrying Vera Slonim (his wife of 52 years), to whom he ultimately dedicated the novel. It was published in Berlin in 1926 under the pen name Vladimir Sirin.
16. âLook at the Harlequins! “(1974)
“I am an American writer, born in Russia, educated in England, where I studied French literature before settling in Germany for fifteen years. … My mind speaks English, my heart speaks Russian and my ear speaks French,Vladimir Nabokov said of himself.
Written in English, “Look at the Harlequins”, Nabokov’s latest completed novel, portrays a famous Russian-American writer named Vadim Vadimovich N., who remembers a series of personal stories of his unsuccessful marriages and loves, as well as of an epic trip to the USSR with a fake passport. Nabokov, who had never visited Russia after his family left the country in 1919, drew valuable information from this invented trip from his sister Elena, who returned several times to her native Leningrad (now St. Petersburg) in the 1960s.
15. “Transparent Things” (1972)
While the plot is quite complicated, you’ll likely read this short piece of news in 90 minutes, wishing it was a bit longer.
Written just five years before the writer’s death, âTransparent Thingsâ is Nabokov’s last meditation on love, death and time, full of bitter irony and philosophical reflections. Like this one: âIt is generally believed that if man established the fact of surviving after death, he would also solve, or be in the process of solving, the riddle of Being. Sadly, the two issues do not necessarily overlap or merge.
14. “Ada or Ardor” (1969)
Please note: this is Nabokov’s longest and most complex novel.
Filled with puzzles, parables and allusions, it is somewhat confusing. “Ada” is rough in the sense that the book has its moments of pure genius, while at times the novel suffers from redundancy. So it’s not for everyone. For example, the author of “Time’s Arrow”, the British novelist Martin Amis said: “At least half a dozen times I have tried, and quickly failed, to read Ada.The plot of Nabokov’s 15th novel revolves around an incestuous affair between Ada and Van, sister and brother, in the idyllic setting of a fictional planet called Antiterra.
13. “Despair” (1934)
Hermann, a German merchant of Russian origin, plots a crime on the way to becoming a true masterpiece of daring ingenuity. It turns out, however, that life itself is the most ridiculous game whose plausibility often distorts reality.
After Nabokov’s ‘Despair’ emerged in 1936, Russian poet and literary critic Gleb Struve said: “What is Sirin’s main property [Nabokovâs pseudonym) creativity? I would define it as joyful and conscious creative arbitrariness. No other writer gives you such an overwhelming impression of creative, magically light power over his world. Sirin doesnât depict life, he creates in a plane parallel to it.â Indeed, Nabokov had no rivals when it came to capturing an amalgam of human sensations.
12. âThe Eyeâ (1930)
Written in Berlin, âThe Eyeâ is one of the most mysterious and witty works by Nabokov, in which the signature features of the mature writer’s style fully manifested themselves.
Originally written in Russian, itâs Nabokovâs shortest, virtuoso novel. The main character, a Russian Ã©migrÃ© living in Berlin, is beaten by the jealous husband of his mistress. Unable to survive the humiliation, the protagonist decides to commit suicide, but only succeeds in hurting himself. His near-death emotional experience changes the protagonistâs life. âThe Eyeâ is often compared to Fyodor Dostoevskyâs âNotes from Undergroundâ and itâs not hard to see why. Both tackle the essence of human life. âThere is a titillating pleasure in looking back at the past and asking oneself, âWhat would have happened ifâ¦â and substituting one chance occurrence for another, observing how, from a gray, barren, humdrum moment in oneâs life, there grows forth a marvelous rosy event that in reality had failed to flowerâ¦â
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11. âBend Sinisterâ (1947)Â
Nabokovâs second novel written in English stands shoulder to shoulder with âThe Trialâ by Franz Kafka and George Orwellâs â1984â in its stylistic brilliance, intellectual beauty and philosophical depth.
The title of the disturbing dystopian novel is associated with Nabokovâs attitude to the âominously leftist worldâ, to the spread of communism and fascism. The events of the complex novel take place in an unnamed country in the city of Padukgrad, where a dictatorial regime has just been established as a result of the revolution. The ruling âParty of the Average Manâ is run by dictator Paduk. Adam Krug, a revered philosopher, is asked to support the party, run by his former classmate. What if he says no? âNothing on earth really matters, there is nothing to fear and death is but a question of style, a mere literary device, a musical resolution,â Nabokov, who was nominated for the Nobel prize in literature several times, wrote in âBend Sinisterâ.Â
10. âReal Life of Sebastian Knightâ (1941)
This is the first book written by Nabokov in English. âSebastian Knight was born on the thirty-first of December, 1899, in the former capital of my country.â
The opening phrase of the story is said by Sebastianâs half-brother, designated in the novel by the abbreviation âV.â Sebastian Knight is a famous Russian writer, who wrote in English and died in a Paris hospital. V. restores and deconstructs the life of his brother, piece by piece, making Nabokovâs intricate and multi-layered novel come alive.
9. âGloryâ (1932)
Nabokovâs fifth novel is about the formation of character and maturity.
âGreat novels are above all great fairy talesâ¦ literature does not tell the truth but makes it up,â the writer said. The fairy-tale motifs in âGloryâ are related to the protagonist, a romantic young man, fascinated by the world of fairy tales and knightly legends since childhood. Martin Edelweiss is half-Swiss. Born and raised in St. Petersburg, he is forced to leave Russia for Europe with his mother after the revolution. He travels a lot, plays tennis (Nabokov was a big fan of tennis, too), studies philology at Cambridge and falls in love with Sonia, but the feeling is not mutual. To win the heart of his beloved, the young man has to face the fear and do something risky. Nabokov said that âGloryâ is about âovercoming fear, about the triumph and bliss of this featâ.
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8. âKing, Queen, Knaveâ (1928)
Domestic life, adultery and malice â what could be more banal. Not for a daredevil writer like Vladimir Nabokov, a master of suspense of the highest caliber.
A darned-good juggler, Nabokov turns the seemingly trivial storyline into a thrilling puzzle, a page turner. Poor Franz arrives in the German capital to work with his well-off uncle and falls for his idle wife, Martha, 13 years his senior. Nabokovâs second novel written in Russian and set in Berlin will knock you off with an unexpected ending. âKing, Queen, Knaveâ is a balancing act between the banality of a literary clichÃ© and a witty parody. Itâs also Nabokovâs unorthodox answer to Fyodor Dostoevskyâs âCrime and Punishmentâ.Â
7. âThe Luzhin Defenseâ (1930)
Itâs a skillfully crafted novel about a Russian chess player who is obsessed with chess to the point where he gradually loses all touch with reality.
In âThe Luzhin Defenseâ, Nabokov kills two birds with one stone. He brilliantly describes the phantasmagoric metamorphosis of the protagonist, whose full name is mentioned only in the final sentence of the novel and reshapes the reader’s world view in such a way that we begin to see the novel entirely through the prism of a chess game. Thatâs checkmate, for sure!
6. âLaughter in the Darkâ (1933)
Nabokovâs most dashing and hopeless thriller novel is set in Germany in the 1920s.
It was originally written in Russian (Nabokov later translated it into English himself). âLaughter in the Darkâ is about a fatal attraction of a successful, wealthy and happily married German art critic named Bruno Kretschmar (Albert Albinius in the English version of the novel) for a young wannabe starlet named Magda Peters (Margot), who is dreaming of Hollywood and works as an usherette in a cinema house. The young gold digger forces the protagonist to leave his wife and daughter, but later, robs Bruno in tandem with her new lover. Kretschmar gets into a car accident, goes blind and dies. Nabokov described âLaughter in the Darkâ as his âworst novelâ.Â
âItâs not particularly good. Itâs a little crude…â he said. And yet, the writer noted, in an interview with The New York Times, that it was âthe only book that brought me in a little money now and thenâ.
5. âInvitation to a Beheadingâ (1935)
Itâs Nabokovâs last novel written in Germany before moving to France in 1937.
While the grim reality of the Nazi Germany is reflected in the concept of his magnum opus, Nabokov objected to describing his novel as a political pamphlet. The writer considered the âInvitation to a Beheadingâ his best work and his âonly poem in proseâ. Whatever you call it, one thing is certain: Itâs a timeless masterpiece about the tyranny of triviality (or, rather, âposhlostâ, the one thing Nabokov really despised) and how to battle it with the help of the âancient inborn art of writingâ.
4. âPninâ (1957)
âPninâ is often referred to as Nabokovâs most humanistic novel, imbued with innocent irony and compassion for the charmingly awkward title character, Prof. Timofey Pnin.
A Russian Ã©migrÃ©, Pnin finds himself in the United States having lost everything (except for his passion for science) in his life. Pnin cherishes some warm memories of his home in St. Petersburg, his first love and his failed marriage. âThe history of man is the history of pain,â Nabokov wrote. The funny thing is that although Pninâs life is quite miserable, the pathetic protagonist constantly finds himself in comic situations, inspired by Nabokovâs own teaching experience at Wellesley College and Cornell University.Â
3. âThe Giftâ (1938)
Nabokovâs last tour de force written in Russian is widely considered the pinnacle of his creative achievement.
âThe Giftâ took four years to write. Philosophically speaking, itâs metafiction. It describes the nuts and bolts of the creation of text. The novel has a mille-feuille structure and is rich in food for thought. âThe Giftâ is also a story about life and death and an artistâs place in history. After reading the novel, translator Georgy Hessen, told Nabokov: âI just read your Gift and I want to tell you â you are [a] genius! If your chess, your tennis or your football looked a lot like your handwriting, old scoundrel, you could concede Alekhine [the fourth world champion] a pawn and Budge 15 points and do Hiden [Rudolf âRudiâ Hiden, one of the best goalkeepers of the 20th century] a reserve keeper in any professional team.Considering that Nabokov was a brilliant chess player and a fairly good goalkeeper, his friend’s tongue-in-cheek review really summed it up.
2. “Pale fire” (1962)
One of the most extravagant masterpieces in history, “Pale Fire” holds a special place in world literature.
Its genre is difficult to define (some literary critics classify it as an “anti-novel”). âPale Fireâ consists of four parts: the foreword by the editor; a 999-line poem by John Shade, a gargantuan commentary and an additional index by Shade’s peer, Charles Kinbote.
“Pale Fire” is listed among the 100 English-language novels of all time by Time Magazine. It can hardly be called a novel, however. If it claims to be a purely philological text stuffed with offbeat allusions, it is actually a reflection on the distortions and frictions that inevitably arise between the author and his readers.
1. “Lolita” (1955)
Nabokov wrote his most famous novel in English and translated it into Russian twelve years later.
The story of a grown man (Humbert Humbert) who loses his moral compass and finds the love of his life in the form of a 12 year old girl named Lolita shatters conventions and taboos. ‘Lolita’ is not a novel about sin, but a saga of obsession, infatuation and self-flagellation. The perverse relationship between Lolita (whom Nabokov called “my poor girl”) and the evil pedophile Humbert Humbert, who move from motel to motel like in a classic road movie, is often seen as a grander metaphor for collision of old and new. worlds, old decrepit Europe and young and provocative America.
When Nabokov was asked which of his books was the most difficult to write, he immediately replied, âOh, Lolita, of course. “
âI didn’t have the necessary information, that was the initial difficulty. I didn’t know any 12 year old American girl and I didn’t know America; I had to invent America and the Lolita. It had taken me about 40 years to invent Russia and Western Europe and now I was faced with a similar task, with less time at my disposal â, Nabokov said in an interview with Playboy Magazine.
Nabokov worked on ‘Lolita’ for about eight years, with frequent interruptions. The writer had fits of despair and even wanted to burn the draft of the novel at one point. Fortunately, his wise wife Vera intervened just in time …
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