ANDREW WYETH (1917-2009)

0

Literature


“Arts Reviewed” in ConnoisseurJanuary 1981, p. 15-16 (shown).
J. Campagne, “The ‘pencils’ of Andrew Wyeth” in beautiful morningJanuary 1, 1981 (illustrated in color).
“Letter from a compass lover” in Le Figaro, January 2, 1981, p. 13 (shown).
P. Courcelles, “Plastic Arts” in RevolutionJanuary 29, 1981 (illustrated).
R. Micha, “Letter from Paris: Andrew Wyeth” in Arts International, January-February 1981, vol. 24, nos. 5-6, p. 232 and 234 (shown).
O. Findsen, “A Guerrilla Guide to the Hammer Collection” in The Cincinnati Investigator, April 16, 1981, p. C5.
J. Walker, The Armand Hammer collection, Los Angeles, 1985, p. 218, no. 125 (illustrated).
Le connoisseur: an illustrated magazine for collectors, 1986, vol. 216, nos. 839-899, p. 85 and 87.
S. Lingemann, “Kunstler Sehen Amerika” in Architectural SummaryMay 1986, p. 9-14 (shown in color).
“The Helgas: Lifting the Veil of Wyeth” in The Philadelphia InvestigatorAugust 12, 1986 (illustrated).
“Wyeth’s Secret” in time standard, August 13, 1986, p. 11 (shown).
P. Richard, “Portrait of an Obsession” in The Washington Post, August 17, 1986, p. 1 (shown).
B. Barol, C. McGuigan and P. McKillop, “Wyeth’s Secret Cache” in Newsweek, August 1986, p. 3.
B. Barol, C. McGuigan and P. McKillop, “Andrew Wyeth’s Secret Obsession” in Newsweek, August 1986, p. 51 (shown in color).
T. Hoving, “The Prussian – The Secret Paintings of Andrew Wyeth (1972-85)” in ConnoisseurSeptember 1986, p. 84-87 (shown in color).
“Ein Bilderschatz in der alten Muhle wird zue Presseund Preissensation” in Art – Das KunstmagazinNovember 1986, p. 88-92 (shown in color).
“Top Guns” in Life, January 1987, p. 37 (shown in color).
J. Wilmerding, Andrew Wyeth: Helga’s Pictures, Washington, DC, 1987, pages 7, 11, 19, 26, 30-31, 169 and 199, no. 206 (illustrated in color, p. 169, no. 206).
B.Shunju, Gakano Tsuma TachiJapan, 1993 (illustrated in color).
R.Meryman, Andrew Wyeth: A Secret LifeNew York, 1996, p. 350-51.
AA Anderson and PE Bolin, eds., The History of Arts Education: Proceedings of Penn State’s Third International Symposium, State College, Pennsylvania, 1997, p. 568.
W. Vaughan, ed., Encyclopedia of Artists: Robbia-Zurbarán, Oxford, 2000, p. 93.
JB Jiminez, Dictionary of Artist Models, New York, 2001, p. 523 (illustrated).
H.Kruger, Zarte Blume Hoffnung, Cologne, 2005 (illustrated in color on the cover).
D. Kuspit, “Shameless and Shameless” on clean artOctober 6, 2005 (illustrated in color).
G. Gehman, “The Wry World of Wyeth: Retrospective Explores Magical Realism of an American Icon” in morning callMarch 26, 2006.
H. Adams, “Wyeth’s World” in Smithsonian MagazineJune 2006, p. 84-92 (shown in color).
BBC Scotland, Michael Palin in Wyeth’s Worlddocumentary film, 2013.
D. Cateforis, Rethinking Andrew WyethBerkeley, 2014 (illustrated in color).
R.Hughes, The show of skill, New York, 2015, p. 638.
TJ Standring, Wyeth: Andrew and Jamie in the studio, New Haven, 2015, p. 136.
Wyethdocumentary film, 2018.

Exposed


Paris, Claude Bernard Gallery, Andrew Wyeth: Temperas, Watercolours, Drybrush, Drawings, 1980-1981, no. 29 (illustrated in color on the cover).
Washington, DC, Corcoran Gallery of Art, 1981.
Beijing, National Museum of Art, The Armand Hammer Painting Collection1982.
Maine, Portland Museum of Art, Maine Light: Temperas by Andrew WyethMay-September 1983.
Washington, DC, National Gallery of Art, American Paintings from the Armand Hammer Collection: An Inaugural CelebrationJanuary-February 1985 (illustrated in color).
West Palm Beach, Norton Museum of Art; Palm Springs Desert Museum; Leningrad, Hermitage Museum; Moscow, State Art Gallery of the USSR; Novosibirsk, Regional Pinakothek; Odessa Museum of Fine Arts; State Museum of Ukrainian Fine Arts in Kyiv; Tbilisi, National Art Museum of the Georgian SSR; Louisville, JB Speed ​​Art Museum and Holyoke, Heritage State Park, The Armand Hammer collection: five centuries of masterpiecesNovember 1985-August 1987.
New York, Hammer Galleries, Realism: A Continuing American ExhibitionNovember-December 1987 (illustrated in color).
Chadds Ford, Brandywine River Museum of Art and Portland Museum of Art, Helga’s photos: yesterday and todaySeptember 1992-October 1993.
Palm Springs Desert Museum, The Armand Hammer collection: five centuries of masterpiecesJanuary-March 1996.
Atlanta, High Museum of Art and Philadelphia Museum of Art, Andrew Wyeth: Memory and Magic, November 2005-July 2006, pp. 22, 24, 74, 191 and 214, no. 89 (illustrated in color, p. 191, pl. 68).

Share.

About Author

Comments are closed.